The 400 Blows

A True-to-the-Bones-and-Heart Modern Day Dickensian Fable
The most heart-felt movie I've ever seen is a powerful mix of sharp-eye, hardhitting autobiographical remembrance of a nearly bruised childhood and a celebration of the wide-open, spontaneous and lyrical qualities of cinema to capture pointed truths of family, school and street lives as seen through the curiously haunted eyes of one Antoine Doinel, a modern-day Dickensian hero in a decidedly unglamours Paris, searching, often wrongheadly, for love and acceptance while, almost against himself, challenging the authorial rules imposed on children growing up in conformist post-WWII France. The film's tone is one of anguished bittersweetness and quiet defiance, counterpointed by bursts of joyful freedom and naughty prank playings as shared by many in their pre-adolescenthood. Doniel's friendship with the well-off but neglected Rene is also among the most moving portraits of childhood friendship ever. An unforgettable portrait, a cutting social study, a New Wave classic and...

400 Blows
I've spent decades avoiding THE 400 BLOWS, afraid it was either dark and brooding, or a documentation of child abuse (physical and/or emotional), or an angry and vindictive assault on the authors' of Francois Truffaut's traumatic childhood.
I shouldn't have worried. THE 400 BLOWS is a gentle and compassionate movie. It isn't overwhelmed by its anger, although a few characters, particularly the coming-of-age hero's mother and his school teacher, aren't terribly sympathetic. Being new to THE 400 BLOWS, I found the commentary by Premiere magazine film critic Glen Kenny especially helpful in understanding French New Wave cinema in general and Truffaut in particular. By the way, according to Kenny "400 blows" refers to a French colloquialism similar to the American "paint the town red." It means to give oneself over to every type of excess, and raise a little heck in the process.

Get this one only if you are not interested in all the Doinel films.
However, if you are a fan of this entire film series by Truffaut, then you should spring for the Adventures of Antoine Doinel boxed set. It comes with all the extras found on this disc, plus a bonus disc which features excerpts from a 1961 documentary on Truffaut, which touches on this film, and a promotional art gallery for this film. Neither of these bonus features are found on this disc, nor is the bonus short film, Antoine and Colette, which is on the 400 Blows' disc in the boxed set. Great if you only want this movie, but I'd pay the extra dough as it's well worth it to have the entire Criterion boxed set, which is loaded with extras covering all the other films.

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