Samurai Trilogy Part 1: Musashi Miyamoto

Excellent viewing.
I enjoy Japanese films, and Toshiro Mifune is one of my favorite actors. Samurai I Musashi Miyamoto, the first of a trilogy by Inagaki, is an excellent example of the genre, justly winning an Academy Award for best foreign film in 1955. In color, which many of the other Japanese films in my collection are not, the cinematography is lovely. Although lacking some of the artistic panache of Kurosawa's or Kobayashi's work, Inogaki's film is not the less visually satisfying for it. Whereas both Kurosawa and Kobayashi's films seem at times too constrained with respect to set, color and special effects which at times distracts from the main theme of their story, Inagaki's Samurai I relies on the natural charms of the Japanese countryside and its national architectural style. Some of the settings are exquisite, and the buildings have an almost Frank Lloyd Wright fitness, complimenting their environment without being intrusive.

The story has a dramatist's sense of character development...

CRAZY HORSE
The first part of director Hiroshi Inagaki's Samurai trilogy, that is SAMURAI I : MIYAMOTO MUSASHI, won in 1954 the academy award for best foreign movie released in the U.S.. It's a movie filmed in glorious Eastmancolor and shot, for the most part of it, in the japanese landscapes. Set in 1600 A.D., in a civil war period, SAMURAI I relates the first years of samurai apprenticeship of Takezo who, with his friend, Matahachi, decides to go to war in order to obtain fame.

Wild, without attach, Takezo will soon turn into a ronin, a samurai without a Master nor a philosophical goal. He becomes an animal and is finally caught by his fellowmen. Saved by a buddhist monk, he will learn Wisdom by reading books.

You will find in SAMURAI I several characters and situations one will encounter in numerous other japanese or even american movies. For instance, the Mother and her Daughter, alone in their lost wooden house, who will become extremely dangerous after a few weeks can be...

Great Action But Something More, Too
This trilogy is the story of a lone, masterless samurai (ronin) on a burning quest to perfect his craft. Although full of action, the real story is Musashi's maturation not just as a martial artist, but as a human being. Some scenes are nearly spiritual.

The direction and acting are excellent. Mifune is the perfect choice to portray Musashi - he is a fine actor and carries off the fight scenes quite adroitly.

The screenplay is based on Eiji Yoshikawa's novel about Musashi. If you haven't already read the book then I encourage you to do so. It's been called the "Gone With the Wind" of Japan and has sold something like 100 million copies. And deservedly so, it is a very good book.

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