Fat Girl

brilliant portrayal of adolescent female sexuality
It upsets me that reviewers have focused on the issues of weight and female competition and jealousy that do exist in this film, but completely ignore the major point of this film. Breillat gives us a brutally honest portrayal of female "baptism" into sexuality. It is not pretty, or romantic, or even sensual (as the socially astute "fat girl" realizes). The older sister, whose bed is surrounded by issues of Cosmo, appropriately enough) is hyper-feminized, and believes that she needs to look as if she stepped off the pages of Cosmo to get and keep and please a man--the most important tasks a woman is given by our culture. Her younger sister is less accepting of these--in fact she repeatedly says that she wants to lose her virginity to someone she doesn't love (a fact consistenly ignored by reviewers in their reviews, and vital to understanding the ending and the distinction between the two sisters). The shocking ending is so significant in this regard--Breillat...

Not your average rites-of-passage teen movie.
When I first heard that the English title of Catherine Breillat's 'A ma soeur' (literally 'for my sister') was 'Fat Girl', I was shocked that such sexism and sizism could exist in such strangulatingly p.c. times, especially in the light of the director's uncompromising, though idiosyncratic feminism. But from the very first sequence, Anais' weight is foregrounded, as she devours a banana split at a cafe while her sister is being chatted up by an Italian student. The body is the focus of this film, its display, and the attempts to control it, whether by deciding how much you're going to eat, by seducing minors or by deciding to whom you'll offer your virginity. Like another recent French film, Patrice Chereau's 'Intimacy', Breillat focuses on sexuality in a way hostile to mainstream cinema. Unlike 'Intimacy', whose gauche attempts at realism destroyed its credibility, Breillat insists on formality and artifice, from the summer holiday setting, with its two heroines 'locked up' in a...

another disturbing/engaging look at sexuality from Breillat
Ana

First Man Into Space

One of those "You had to be there at the time" films
This seemingly harmless, boilerplate fifties scifi "thriller" is of special significance to me, which is the reason I purchased the VHS version. When I was eight years old, I attended a double feature matinee at the Varsity Theater in Palo Alto, California. The main feature was Disney's "Darby O'Gill and the Little People," a decent, semi-comedic flick most well-known for being a showcase for a budding actor named Sean Connery. "Darby" included a few scary moments, however, in which an animated "banshee" was shown floating ominously in the evening sky. Perhaps because of these briefly frightening scenes, the geniuses in charge of putting together the double bill selected "First Man Into Space" as the second feature.

The results were nothing short of disastrous.

Although "First Man" seems cheesy and at times downright plodding by today's frenetic standards for scifi films, showing a movie that includes a...

You'll be surprised!
I rented this movie with low expectations. It looked like the typical Z-grade movie that, if it were not for Mystery Science Theater 3000, would be a chore to watch.

Boy, was I wrong!

While the picture was obviously made on a low budget, it comes off much better than you'd think. The special effects are surprisingly good, especially the scenes of the experimental rocket in flight.

There is some interesting stock footage of planes from the X-1 era, being launched from bombers (which at the time was how they thought they'd do rocketry).

I kept wondering when the picture would start to go bad, but it kept my interest throughout. Low budget 50's sci-fi, but a real gem!

first man into space a 50s gem
I remember seeing this film a a young boy and it helped hook me on Sci Fi for life. 50s rockets and a space plane right out of the newsreels of the time coupled with a risk taking pilot, responsible older brother who is his superior officer and the beautiful scientist who they both want make for a great movie. The science and horror are blended into a believable tale of ambition gone wrong as a disobeyed order to stay below the threshold of space so the pilot can be the first man into space leads to a hideous fate. By doing so he passes thru a cosmic cloud that covers the ship and him in a protective reflective dust which insulates both him and the ship from the atmosphere. What follows is a mystery as to what happened to the pilot when the ship re enters the atmosphere and what is causing the mysterious slasher type murders that have their victims drained of blood leading to a typical 50s climax where a noble act ends in tragedy but gives future pilots a new safety element to...

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Eating Raoul

"Tasty Comedy of Bad Manners" Gets a Mediocre DVD Treatment
The 1982 low-budget outré comedy EATING RAOUL from writer/director Paul Bartel, who also stars, is an outrageously funny satire that needles such diverse elements of American culture as the concept of The American Dream, high-society status symbols, overzealous capitalism, racial stereotyping, and sexually deviant subgroups.

Paul and Mary Bland (Bartel and Mary Woronov) are a conservative, happily married middle-class couple who share an interest in fine wine, good food, and sexual repression. They also share entrepreneurial dreams of opening their own restaurant for epicures. Unfortunately, the Blands are flat broke. Paul is an unemployed wine connoisseur, and Mary only makes a pittance working as a Nurse's Aide. To make matters worse, the building they want to purchase for their restaurant has also caught the eye of another buyer, so if Paul and Mary don't raise the $20,000 down quickly, they'll watch their hopes and dreams turn to dust.

Things actually take a turn for...

Great movie, horrible DVD
Talk about cult classics! Paul Bartel's darkly hilarious "Eating Raoul" was the first cult film I ever saw, way back in the early 1980s when the miracle that is cable television arrived at the house. I sat in openmouthed wonder as the movie unfolded, barely believing my eyes were seeing the twisted hijinks floating by onscreen. It's largely due to "Eating Raoul" that I became a Mary Woronov fan, and I also learned to appreciate as well as seek out any films made by Paul Bartel. He's an interesting guy, a man that looks like one of your balding uncles or an out of shape next-door neighbor, but he has a warped sense of humor that fits in well with 1970s low budget cinema. Audiences probably know Bartel, if they know him at all, for several films he made for Roger Corman in the 1970s: "Death Race 2000" and "Cannonball." These two films couldn't be more different in subject matter and tone than "Eating Raoul." The two Corman films deal with car races, crashes, and bloody violence. "Eating...

AVOID: Bad Transfer
This long awaited DVD is an incredible disappointment. The major problem that makes this unwatchable is that somehow this movie has been stretched horizontally to fit a widescreen TV. The result makes everything look distorted. I don't know what the original aspect ratio was but this presentation is an abomination. I tried running it on my computer software to manually adjust the picture dimensions. The film does appear to be wider than the standard screen size but not the ratio as presented on this DVD.

And to top it off the print appears to be something of the VHS quality (i.e. poor) with color and resolution deficiences. There appears to be a gash in the screen as if the video was shot from a movie screen with a tear in the top middle. The sound appears to have been mono that someone has doctored up by added fake stereo and reverb, then steering the dialog from side to side. Warning: Listening to this may cause sea sickness.

Sony should be sued for selling this junk. I...

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Sirocco [HD]

Underrated Bogie Film
This is a film about the French military occupation of Syria after World War I. The French were given Syria after the destruction of the Ottoman Empire as a mandate by the League of Nations, and are engaged in a guerilla war with the Syrian natives who are fighting for their independence. Bogie plays the role of a quasi-legitimate businessman in Damascus who is illegally selling weapons to the Arabs. This film was not well received by critics when first released in the early 50s, and is still not widely acclaimed by Bogie fans 50+ years later. As a great fan of Bogie myself, I'm a bit puzzled by this reaction to the film. While I agree that this is not up to the standards of Bogie's great films, this film is not as bad as it's detractors make it out to be. This is the type of film and the type of character that Bogie was meant to play: the gritty, morally ambiguous, profiteer who lives somewhere between the good guys and the bad guys. In fact, one thing that I really like...

Sirocco - Same old Bogie
Bogie could do this type of role with his eyes closed, and possibly did, but it's far superiour than what many of the actors today can turn out. It's certainly not the best Bogie ever done, but he's just creating, once again, his role of Rick Blaine from Casasblanca and I can watch this very fine actor do that time after time after time. Marta Toren as the female lead was good to look at in any scene, and Lee J Cobb was at his pre-"On the Waterfront" smoldering best. Zero Mostel was Zero Mostel, what can one say about another master at his craft? All in all it was worth watching and brought back memories to me of when actors had to learn their craft and not just be good looking with a great body. Thank you.

A tedious romantic drama in the "Casablanca" vein but with none of the magic...
Bogart seemed destined for a painful end as he plied his despicable trade in a tale set in French-occupied Damascus around 1925...

Casting his lot between the French and Syrians, depending upon which suits his own greedy plan most profitably, he earns the enmity of both sides...

There were good supporting performances by Lee J. Cobb, thumping his desk as usual as a French colonel, and Everett Sloane as a volatile general, but the film was of little consequence and a sorry end to Bogart's solo production credits...

"Sirocco" remains a tedious romantic drama in the "Casablanca" vein but with none of the magic...

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George Washington

amazing debut film
David Gordon Green has created a lush, vibrant film showing not just immense potential, but genuine talent. Set in the deep south during the recession of the 1980's, GW captures the melancholy of childhood in a rarely (if never before) seen light. While obviously influenced by the great talent of Terrence Malick, Green's choice of cinematographer and talent demonstrate a fundamental understanding of film as a visual and sensory medium, and not a dumping ground for rehashed dialogue and filler about bad relationships with witty quips. Green throws aside the usual bad dialogue and poor camera work of most first time film makers, and finds language in imagery and visuals in dialogue. The exploration of heroism and simple responsibility are given appropriate weight, but with no small sense of the absurd (perhaps appropriate when dealing with the perspective of children). This is an excellent film, and should stoke the drive of all wannabe or potential first-time film-makers. The bar...

A poignant landscape of a dusty, delapidated South
I saw this film at the Edinburgh Film Festival in 2000, and thought it one of the most original and haunting films I have seen in years. It is a very subjective, impressionistic and almost transcendental movie about a group of kids, and how they follow their own particular code of honour in the face of misfortune. Kind of like Harmony Korine but at an easier pace, and with more unity of vision.

Hypnotic
In one of the opening scenes of George Washington, a boy and a girl break up. There is not much else to this scene, which makes it like most breaks ups. It makes it like many of our experiences is childhood: they just happen. The movie George Washington, however, mixes such everyday happenings in a poor, rural/industrial landscape with a level of complexity that is suprising and revealing. The characters experience love, loss, friendship, joy, forgiveness, boredom, and a longing for something more. The characters like each other. Some are white, and most of them are black, but they are all friends. Every summer, kids all over the country experience the kinds of events that many kids experience, yet there is a tragedy that occurs in this movie that renders this story unique. Tragedy aside, George Washington is simply a beautiful and quiet film about one hot summer in the south and it's children.

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Mishima: A Life in Four Chapters

paul schrader reply
Someone pointed out to me confusion about the change in the narration. Here's the story. I originally intended to have Mishima's narration in English outside Japan to cut down on the surfeit of subtitles. (The US version of Diary of a Country Priest has French dialogue and English narration.) I asked Roy Scheider to read a transdlation of the Ogata/Mishima narration and we mixed this into the film at Lucasfilm. The Japanese distributor was to be responsible for mixing Ken Ogata's narration into the Japanese version. However, there never was a Japanese version since the film was de facto banned in Japan. Consequently, it was never possible for non-English speaking Japanese viewers to see the film entirely in Japanese. When the DVD was issued we went back to Lucasfilm to fix this, allowing either a Japanese-speaking viewer to hear the Ogata narration or a non-Japanese-speaking viewer to hear the Scneider narration. In recording both Ogata and Scneider an equal effort was made to keep...

Most Unlikely Hollywood Film Ever
This was a film financed by George Lucas and Francis Ford Coppola,distributed by a major Hollywood studio, that but for some narration by Roy Scheider is entirely in Japanese, and is told in a fragmentary narrative style which oscillates between wildly contrasting stylistic modes; the widow of the film's subject signed away life rights to her husband's story conditioned upon the film's not dealing with his none-too-secret homosexuality, which the film proceeded to deal with, albeit obliquely, and she then fought production in Japan tooth and nail. Mishima himself, Japan's most famous post-war novelist, attempted a paramilitary coup d'etat in 1970, in which his private army took over the Ministry of Defense, and committed a highly public hari-kiri. He was and is a subject of vast controversy in Japan, a consensus society, who since his death have preferred not to be reminded he existed. Given the artiness of the film, the foreigness of it's subject matter, and the Japanese...

A biopic that is even more impressive than its subject
Most biographical films of artists (Immortal Beloved, Amadeus, etc.), even if they are well made, hardly live up to the greatness of the people they describe. This film is a notable exception, one which outdoes its subject. Mishima was an accomplished writer, one whose works deserve to be read, but no single work of his stands out as an unquestionable masterpiece of world literature. This film, on the other hand, is without doubt one of the masterpieces of world cinema.

The film is broken down into interlocking "modules": those which depict Mishima's life and those which recreate episodes from his books. The literary recreations are done in a highly stylized manner which captures (and at times, outdoes) the mystery and poetry of the original texts. The biographical segments feature a fine sense of both drama and poetry. They capture the essence of Mishima's passion in a way that even he himself was unable to do.

The score by Philip Glass is one of the...

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For a Good Time, Call...

Light-hearted "sisters" comedy
"For a Good Time, Call..." (2012 release; 85 min.) brings the story of two girls down on their luck. Katie (played by Ari Graynor) lives in a fabulous apartment in New York which she no longer can afford. Lauren (played by Lauren Miller) has just been told by her boyfriend that he wants to "evaluate" their relationship and she needs to move out. A mutual friend, Jesse (played by Justin Long), brings the girls together and even though they have an unpleasant history together from their college days, they really have no choice but to try to make things work. And how they do! Lauren finds out that Katie, in order to make some extra money, works on the side as a phone sex operator. Lauren figures out that if they do this on their own, they'll make much more money.

While a heavy emphasis is made in the promotional materials for the movie (both on the poster and in the trailer) about the sex phone operation, the movie is in fact much more about how two girls who used to hate each...

Light-hearted "sisters" comedy
"For a Good Time, Call..." (2012 release; 85 min.) brings the story of two girls down on their luck. Katie (played by Ari Graynor) lives in a fabulous apartment in New York which she no longer can afford. Lauren (played by Lauren Miller) has just been told by her boyfriend that he wants to "evaluate" their relationship and she needs to move out. A mutual friend, Jesse (played by Justin Long), brings the girls together and even though they have an unpleasant history together from their college days, they really have no choice but to try to make things work. And how they do! Lauren finds out that Katie, in order to make some extra money, works on the side as a phone sex operator. Lauren figures out that if they do this on their own, they'll make much more money.

While a heavy emphasis is made in the promotional materials for the movie (both on the poster and in the trailer) about the sex phone operation, the movie is in fact much more about how two girls who used to hate each...

Super Funny Flick
I knew from the commercials that this film would be a little on the funny and goofy side of things, even cartoonish, but this movie has a lot of heart in it and in the end is a story about more than just a friendship; it's about a sisterhood. Loved everything about it!

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