Depraved Low Budget Shocker
The Criterion Collection brings film lovers some of the most engaging, challenging pictures ever made. National borders mean little to the folks at this DVD company; they will release American films as readily as they will European cinema or documentaries about African dictators. Moreover, Criterion does not flinch from controversial films because they contain controversial themes. Thanks to this company, we can readily obtain excellent versions of Paul Morrissey's "Flesh for Frankenstein" and "Blood for Dracula" along with the ultra violent "Robocop." I have yet to fully explore the depths of Criterion's film catalog, but their other discs must surely be as interesting as the titles I have viewed so far. Criterion finally released one of my favorite foreign films, the independent little gem entitled "C'est Arrive Pres de Chez Vous," oddly translated as "Man Bites Dog." Made in Belgium a little over a decade ago, this fascinating movie...
Merci Boucoup, Criterion
MBD will undoubtedly receive its equal share of lovers and loathers...this is a very hard film to watch due to its extremity of the violence. Though its content is shocking to say the least, the overall effect is a startlingly satirical look at the media's fascination at peering from the safety of our collective couches at the levels of violence that run rampant in television.
An extremely tight budgeted camera crew follow a poetry spouting serial killer through the streets of Belgium in a quasi-documentary. Adhering initially to the unofficial press "rule" of not interfereing with the outcome of events, they capture the horrific details of Benoit's bloodlust, which can only be equalled with the evident psychosis in his mind as He swings from controlled to chaotic. Ben is an interesting soul- friendly, charismatic and intelligent- which provides a pleasant yet disturbing contrast to the depravity of his actions. What gives MBD that extra degree of cinematic edge is the...
Darling I don't know why I go to Extremes
Let's get one thing straight right now: look carefully at Criterion's cover picture for "Man Bites Dog". Zoom in on it, take your time; I'll wait.
Got it? All clear in your mind what the Bad Man with the Gun is doing on the cover? That's right, that's a baby binky flying up out of that cloud of blood and brains and clotted gore.
Why a binky? Because I expect the baby was sucking on it before our hero Ben (Benoit Poelvoorde) showed up to do his thing.
His thing is killing people: men, women, postal workers, clerks, schoolgirls, elderly women with bad tickers, little kids, entire families. Come to think of it, "killing" doesn't get close to describing what Ben does to his victims---I'm thinking 'butcher' is closer to the truth. Anyway, a man's gotta have a hobby, and Ben sticks to what he knows best: slaughtering in pretty much every fashion imaginable.
Best of all, "Man Bites Dog" charts the rampaging wild rumpus of a whacked-out Belgian...
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